They
were always the last part of the church completed, the finishing-touch,
the last that was needed to perfection. The progress of the building
of a cathedral thus embodied a beautiful symbolism. In most cases,
the choir, or east end, the holiest part of the church, was the first
erected, in order to sanctify and protect the high altar; and then, as
the treasures of the church flowed in, after the expiration of years or
centuries, the builders, tutored by a legendary science, and harmonized
by a wonderful feeling of brotherhood, in the same spirit, perfected the
designs of their predecessors, by leading out westward the long naves
and attendant aisles, completing northward and southward the transepts,
adding a chapel here and a porch there, glorifying the western front
with the touches of divine genius; and when at last every niche was
occupied with its statue of angel, saint, or pious benefactor, and the
holy choir, with its apsis, had been re-adorned with the accumulated art
of centuries, and glowed with the iris-light from painted windows,--when
the mural monuments of bishops, warriors, and kings had thickened
beneath the consecrated roof, and the whole structure had been hallowed
by the prayers and chantings of generations,--then, at last, over the
ancient tower arose the lofty spire; as if an angelic messenger had
spread his wings at its base and mounted upward to heaven, shouting
out the glad tidings of the completion of the House of God, and, as he
arose, the voice grew fainter and fainter, till at length it melted into
the sky!
The finest spires of Europe were erected as late as the fourteenth,
fifteenth, and sixteenth centuries, upon towers prepared for their
reception, usually, in much earlier times.
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