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Various

"The Atlantic Monthly, Volume 05, No. 27, January, 1860"

His fame
must be from such vision, and it will approach the universal just in
proportion as his pulse beats in unison with the heart of mankind.
Whatever may be an artist's plans, or those of his friends, in regard to
his valuation by the world, while he is living, ultimately he himself,
divested of all save his own individuality, must stand revealed.
Those who in other departments of action are necessarily governed
somewhat, or it may be entirely, by rules of conduct general in nature
and universal in application, may fail to receive or may escape justice.
They are to a great degree involuntary agents, and subject to the laws
of science, to the operations of which they are obliged to conform.
The private fact of the man is hidden by the public general truth. If,
however, the energies of the individual overtop the science, enabling
him to assert himself above the summit of its history, then is he
accessible to all generations, and can in no wise avoid or forfeit his
just fame.
In Art, this intimate relation of the result of action to the actor is
complete,--inasmuch as, to _be_ Art, to rise above being something
else, the shadow and mockery of Art, it must be of and from the man, a
spontaneity, a reflection, light for light, shade for shade, color for
color, of his entire being; and with this effect his will has little to
do.


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