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McFadden, Elizabeth Apthorp

"Why the Chimes Rang: A Play in One Act"




APPENDIX.

The following suggestions for a simplified staging of "Why The Chimes
Rang" are offered, not to college dramatic societies or other expert
amateurs but to the many young people in the secondary schools, Sunday
schools and country districts, who would enjoy staging short plays if it
could be done without elaborate scenery or lighting equipment and
without previous experience in stage management.
Simplicity aided by imagination goes far upon the stage, and it should
always be remembered that the real aim is the creation of a given
emotion in the minds of the audience rather than the creation of a given
thing upon the stage. If a circle of gilt paper on the head of a fine
looking lad can create a vivid impression of kingly dignity, all the
crown jewels of Europe cannot better the paper for stage purposes.
In producing a play, it should first be carefully read to see what main
impression is to be conveyed, and what chief elements are to be
emphasized to make up this impression. The details can then be worked
out in harmony with the more important factors.
In "Why The Chimes Rang," religious exaltation is the mood to be
created, and the divine beauty of charity is the main theme.
Three sharply contrasted effects are called for: the wood-chopper's hut,
dark and humble; and, set against this, the earthly splendor of the
cathedral chancel, which in its turn is dimmed by the miraculous
presence of the angel.


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