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Rideout, Henry Milner, 1877-1927

"Dragon's blood"

He nodded gloomily, without rising. At his
feet wandered a path, rankly matted with burnt weeds, and bordered with
green bottle-ends, the "dimples" choked with discs of mud. The place was
a deserted garden, where the ruins of a European house--burnt by natives
in some obscure madness, years ago--sprawled in desolation among wild
shrubs. A little way down the path stood Teppich and Chantel, each with
his back turned and his hands clasped, like a pair of sulky Napoleons,
one fat, one slender. The wooden pretense of their attitude set Rudolph,
for an instant, to laughing silently and bitterly. This final
scene,--what justice, that it should be a mean waste, the wreck of silly
pleasure-grounds, long forgotten, and now used only by grotesque
play-actors. He must die, in both action and setting, without dignity.
It was some comfort, he became aware, to find that the place was fairly
private. Except for the breach by which they had entered, the blotched
and spotted compound walls stood ruinous yet high, shutting out all but
a rising slant of sunlight, and from some outpost line of shops, near
by, the rattle of an abacus and the broken singsong of argument, now
harsh, now drowsy.


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