All three, of course, like every
enlightened reformer, are aiming at ideal conditions which can be actually
realized only in the distant future.
Arnold's style is one of the most charming features of his work. Clear,
direct, and elegant, it reflects most attractively his own high breeding;
but it is also eminently forceful, and marked by very skilful emphasis and
reiteration. One of his favorite devices is a pretense of great humility,
which is only a shelter from which he shoots forth incessant and pitiless
volleys of ironical raillery, light and innocent in appearance, but
irresistible in aim and penetrating power. He has none of the gorgeousness
of Ruskin or the titanic strength of Carlyle, but he can be finely
eloquent, and he is certainly one of the masters of polished effectiveness.
ALFRED TENNYSON. In poetry, apart from the drama, the Victorian period is
the greatest in English literature. Its most representative, though not its
greatest, poet is Alfred Tennyson. Tennyson, the fourth of a large family
of children, was born in Somersby, Lincolnshire, in 1809. That year, as it
happened, is distinguished by the birth of a large number of eminent men,
among them Gladstone, Darwin, and Lincoln. Tennyson's father was a
clergyman, holding his appointments from a member of the landed gentry; his
mother was peculiarly gentle and benevolent. From childhood the poet,
though physically strong, was moody and given to solitary dreaming; from
early childhood also he composed poetry, and when he was seventeen he and
one of his elder brothers brought out a volume of verse, immature, but of
distinct poetic feeling and promise.
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