' His use of beauty in his poetry is
marked at first by passionate Romantic abandonment and always by lavish
Romantic richness. This passion was partly stimulated in him by other
poets, largely by the Italians, and especially by Spenser, from one of
whose minor poems Keats chose the motto for his first volume: 'What more
felicity can fall to creature than to enjoy delight with liberty?'
Shelley's enthusiasm for Beauty, as we have seen, is somewhat similar to
that of Keats. But for both Spenser and Shelley, in different fashions,
external Beauty is only the outer garment of the Platonic spiritual Beauty,
while to Keats in his poetry it is, in appearance at least, almost
everything. He once exclaimed, even, 'Oh for a life of sensations rather
than of thoughts!' Notable in his poetry is the absence of any moral
purpose and of any interest in present-day life and character, particularly
the absence of the democratic feeling which had figured so largely in most
of his Romantic predecessors. These facts must not be over-emphasized,
however. His famous final phrasing of the great poetic idea--'Beauty is
truth, truth beauty'--itself shows consciousness of realities below the
surface, and the inference which is sometimes hastily drawn that he was
personally a fiberless dreamer is as far as possible from the truth. In
fact he was always vigorous and normal, as well as sensitive; he was always
devoted to outdoor life; and his very attractive letters, from which his
nature can best be judged, are not only overflowing with unpretentious and
cordial human feeling but testify that he was not really unaware of
specific social and moral issues.
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