After the Restoration he was reinstated, and he
continued to hold the place until his death in old age in 1674. He
published his poems (all lyrics) in 1648 in a collection which he called
'Hesperides and Noble Numbers.' The 'Hesperides' (named from the golden
apples of the classical Garden of the Daughters of the Sun) are twelve
hundred little secular pieces, the 'Noble Numbers' a much less extensive
series of religious lyrics. Both sorts are written in a great variety of
stanza forms, all equally skilful and musical. Few of the poems extend
beyond fifteen or twenty lines in length, and many are mere epigrams of
four lines or even two. The chief secular subjects are: Herrick's devotion
to various ladies, Julia, Anthea, Perilla, and sundry more, all presumably
more or less imaginary; the joy and uncertainty of life; the charming
beauty of Nature; country life, folk lore, and festivals; and similar light
or familiar themes. Herrick's characteristic quality, so far as it can be
described, is a blend of Elizabethan joyousness with classical perfection
of finish. The finish, however, really the result of painstaking labor,
such as Herrick had observed in his uncle's shop and as Jonson had
enjoined, is perfectly unobtrusive; so apparently natural are the poems
that they seem the irrepressible unmeditated outpourings of happy and idle
moments. In care-free lyric charm Herrick can certainly never be surpassed;
he is certainly one of the most captivating of all the poets of the world.
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