Then, the religious spirit yielding inevitably in part to that of
merrymaking, minstrels and mountebanks began to flock to the celebrations;
and regular fairs, even, grew up about them. Gradually, too, the priests
lost their hold even on the plays themselves; skilful actors from among the
laymen began to take many of the parts; and at last in some towns the
trade-guilds, or unions of the various handicrafts, which had secured
control of the town governments, assumed entire charge.
These changes, very slowly creeping in, one by one, had come about in most
places by the beginning of the fourteenth century. In 1311 a new impetus
was given to the whole ceremony by the establishment of the late spring
festival of Corpus Christi, a celebration of the doctrine of
transubstantiation. On this occasion, or sometimes on some other festival,
it became customary for the guilds to present an extended series of the
plays, a series which together contained the essential substance of the
Christian story, and therefore of the Christian faith. The Church generally
still encouraged attendance, and not only did all the townspeople join
wholeheartedly, but from all the country round the peasants flocked in. On
one occasion the Pope promised the remission of a thousand days of
purgatory to all persons who should be present at the Chester plays, and to
this exemption the bishop of Chester added sixty days more.
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