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Tarkington, Booth, 1869-1946

"Harlequin and Columbine"


I would suggest that you go into some details of this, perhaps
adding whatever anecdotes or incidents of--of--of the day--you think
would give additional value to this. I would suggest that you tell
us, for instance, how you were received upon your arrival, who took
you to the most favourable position for observing the performance,
and what was said. We should be glad to hear also, I am sure, and
artistic thoughts or--or knowledge--Mr. Potter may have let fall in
the green-room; or even a few witticisms might not be out of place,
if you should recall these. We should all like to know, I am sure,
what Mr. Potter's method of conceiving his part was. Also, does he
leave entire freedom to his company in the creation of their own
roles, or does he aid them? Many questions, no doubt, occur to all
of us. For instance: Did Mr. Potter offer you any suggestions for
changes and alterations that might aid to develop the literary and
artistic value of the pl--"
The placid voice, flowing on in gentle great content of itself
(while all the boarders gallantly refrained from eating), was
checked by an interruption which united into one shattering
impact the effects of lese-majeste and of violence.


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