THE OLD WASHINGTON IRVING HOUSE
IV. THE LITTLE HOUSE OF MANY MIRRORS
V. THE TREATMENT OF WALLS
VI. THE EFFECTIVE USE OF COLOR
VII. OF DOORS, AND WINDOWS, AND CHINTZ
VIII. THE PROBLEM OF ARTIFICIAL LIGHT
IX. HALLS AND STAIRCASES
X. THE DRAWING-ROOM
XI. THE LIVING-ROOM
XII. SITTING-ROOM AND BOUDOIR
XIII. A LIGHT, GAY DINING-ROOM
XIV. THE BEDROOM
XV. THE DRESSING-ROOM AND THE BATH
XVI. THE SMALL APARTMENT
XVII. REPRODUCTIONS OF ANTIQUE FURNITURE AND OBJECTS OF ART
XVIII. THE ART OF TRELLIAGE
XIX. VILLA TRIANON
XX. NOTES ON MANY THINGS
LIST OF ILLUSTRATIONS
Elsie de Wolfe (Frontispiece)
In this hall, simplicity, suitability and proportion are observed
Mennoyer drawings and old mirrors set in panelings
A portrait by Nattier inset above a fine old mantel
The Washington Irving house was delightfully rambling
A Washington Irving House bedroom
Miss Marbury's bedroom
The fore-court and entrance of the Fifty-fifth Street house
A painted wall broken into panels by narrow moldings
A wall paper of Elizabethan design with oak furniture
The scheme of this room grew from the jars on the mantel
A Louis Seize bedroom in rose and blue and cream
The writing corner of a chintz bedroom
Black chintz used in a dressing-room
Printed linen curtains over rose colored silk
Straight hangings of rose and yellow shot silk
Muslin glass curtains in the Washington Irving house
Here are many lighting fixtures harmoniously assembled in a
drawing-room
Detail of a fine old French fixture of hand wrought metal
Lighting fixtures inspired by Adam mirrors
The staircase in the Bayard Thayer house
The drawing-room should be intimate in spirit
The fine formality of well-placed paneling
The living-room in the C.
Pages:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25