"
[Footnote 1: This is in the ex-church of S. Romuald in Classe in the
sacristy, now part of the Museo]
[Footnote 2: This is now in the Accademia, No 40]
[Footnote 3: The first of these is in the Accademia (No. 10), as I
suppose are the two other undescribed pictures]
[Footnote 4: Is this a Marriage of S. Catherine in S. Girolamo in
Ravenna?]
[Footnote 5: Now in the Accademia, No 13.]
[Footnote 6: Of these I know nothing]
[Footnote 7: Now in the canonica of S. Croce in Ravenna]
To-day in Ravenna there remain the three works described by Vasari,
one in the ex-church S. Romualdo di Classe, the other, as I think,
once in the Hospital of S. Catherine and now in S. Girolamo, and
another at S. Croce. In the Accademia there are nine of his works, of
which the S. Niccolo Presepio (No. 10) and the S. Agata Crucifixion
(No. 13) are the better. A S. Sebastian (No. 12) and a S. Catherine
(No. 11) should also be noticed. By his brother and assistant,
Bernardino, there is one picture in the Accademia, the Agony in the
Garden (No. 194).
Another master of the Romagnuol school, Marco Palmezzano, the pupil of
Melozza da Forli, a contemporary of Rondinelli, who influenced him to
some small extent, is represented in the Accademia by two works in
Sala II.
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