HE SPEAKS THE MERE CONTRARY
XIX. HOW CHANCES MOCK
XX. VOLUBLE AND SHARP DISCOURSE
XXI. A MINT OF PHRASES IN HIS BRAIN
XXII. HIS PURE HEART'S TRUTH
XXIII. AS FALSE AS STAIRS OF SAND
XXIV. THERE BEGINS CONFUSION
XXV. AFTER SUCH A PAGAN CUT
XXVI. O, WICKED WIT AND GIFT
XXVII. UPON A CHURCH BENCH
XXVIII. BEDECKING ORNAMENTS OF PRAISE
XXIX. CRUEL PROOF OF THIS MAN'S STRENGTH
XXX. THE WORLD IS STILL DECEIVED
XXXI. PARTED OUR FELLOWSHIP
XXXII. HEART-BURNING HEAT OF DUTY
XXXIII. A BOND OF AIR
XXXIV. WHAT TIME SHE CHANTED
XXXV. HEARTSICK WITH THOUGHT
XXXVI. FAREWELL AT ONCE, FOR ONCE, FOR ALL AND EVER
XXXVII. A SYMPATHY OF WOE
THE PHILISTINES
I
IN PLACE AND IN ACCOUNT NOTHING.
I Henry IV.; v.--I.
When Arthur Fenton, the most outspoken of all that band of protesting
spirits who had been so well known in artistic Boston as the Pagans,
married Edith Caldwell, there had been in his mind a purpose, secret
but well defined, to turn to his own account his wife's connection with
the Philistine art patrons of the town. Miss Caldwell was a niece of
Peter Calvin, a wealthy and well-meaning man against whom but two grave
charges could be made,--that he supposed the growth of art in this
country to depend largely upon his patronage, and that he could never
be persuaded not to take himself seriously.
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