He wanted to bewilder Philippe, and strike his weapon
so as to disarm him; but at the first encounter he felt that the
colonel's wrist was iron, with the flexibility of a steel string.
Maxence was then forced, unfortunate fellow, to think of another move,
while Philippe, whose eyes were darting gleams that were sharper than
the flash of their blades, parried every attack with the coolness of a
fencing-master wearing his plastron in an armory.
Between two men of the calibre of these combatants, there occurs a
phenomenon very like that which takes place among the lower classes,
during the terrible tussle called "the savante," which is fought with
the feet, as the name implies. Victory depends on a false movement, on
some error of the calculation, rapid as lightning, which must be made
and followed almost instinctively. During a period of time as short to
the spectators as it seems long to the combatants, the contest lies in
observation, so keen as to absorb the powers of mind and body, and yet
concealed by preparatory feints whose slowness and apparent prudence
seem to show that the antagonists are not intending to fight. This
moment, which is followed by a rapid and decisive struggle, is
terrible to a connoisseur. At a bad parry from Max the colonel sent
the sabre spinning from his hand.
"Pick it up," he said, pausing; "I am not the man to kill a disarmed
enemy."
There was something atrocious in the grandeur of these words; they
seemed to show such consciousness of superiority that the onlookers
took them for a shrewd calculation.
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