Flore rose, pulled a little cashmere shawl from her
own shoulders, and tied it round the old man's throat, exclaiming:
"How silly to put yourself in such a way about nothing. There, you old
goose, that will do you good; it has been next my heart--"
"What a good creature!" said Rouget to Max, while Flore went to fetch
a black velvet cap to cover the nearly bald head of the old bachelor.
"As good as she is beautiful"; answered Max, "but she is quick-
tempered, like all people who carry their hearts in their hands."
The baldness of this sketch may displease some, who will think the
flashes of Flore's character belong to the sort of realism which a
painter ought to leave in shadow. Well! this scene, played again and
again with shocking variations, is, in its coarse way and its horrible
veracity, the type of such scenes played by women on whatever rung of
the social ladder they are perched, when any interest, no matter what,
draws them from their own line of obedience and induces them to grasp
at power. In their eyes, as in those of politicians, all means to an
end are justifiable. Between Flore Brazier and a duchess, between a
duchess and the richest bourgeoise, between a bourgeoise and the most
luxuriously kept mistress, there are no differences except those of
the education they have received, and the surroundings in which they
live. The pouting of a fine lady is the same thing as the violence of
a Rabouilleuse.
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