This opinion derived, in 1822, a sort of certainty from the
then existence of the charming church of Saint-Paterne, recently
pulled down by the heir of the individual who bought it of the nation.
This church, one of the finest specimens of the Romanesque that France
possessed, actually perished without a single drawing being made of
the portal, which was in perfect preservation. The only voice raised
to save this monument of a past art found no echo, either in the town
itself or in the department. Though the castle of Issoudun has the
appearance of an old town, with its narrow streets and its ancient
mansions, the city itself, properly so called, which was captured and
burned at different epochs, notably during the Fronde, when it was
laid in ashes, has a modern air. Streets that are spacious in
comparison with those of other towns, and well-built houses form a
striking contrast to the aspect of the citadel,--a contrast that has
won for Issoudun, in certain geographies, the epithet of "pretty."
In a town thus constituted, without the least activity, even business
activity, without a taste for art, or for learned occupations, and
where everybody stayed in the little round of his or her own home, it
was likely to happen, and did happen under the Restoration in 1816
when the war was over, that many of the young men of the place had no
career before them, and knew not where to turn for occupation until
they could marry or inherit the property of their fathers.
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