The other end of the square enters a street which runs
parallel to the main street.
At the latter, which was also the quietest end of the square, the
young workman recognized the house of which he was in search, which
showed a front of white stone grooved in lines to represent courses,
windows with closed gray blinds, and slender iron balconies decorated
with rosettes painted yellow. Above the ground floor and the first
floor were three dormer windows projecting from a slate roof; on the
peak of the central one was a new weather-vane. This modern innovation
represented a hunter in the attitude of shooting a hare. The front
door was reached by three stone steps. On one side of this door a
leaden pipe discharged the sink-water into a small street-gutter,
showing the whereabouts of the kitchen. On the other side were two
windows, carefully closed by gray shutters in which were heart-shaped
openings cut to admit the light; these windows seemed to be those of
the dining-room. In the elevation gained by the three steps were
vent-holes to the cellar, closed by painted iron shutters fantastically
cut in open-work. Everything was new. In this repaired and restored
house, the fresh-colored look of which contrasted with the time-worn
exteriors of all the other houses, an observer would instantly
perceive the paltry taste and perfect self-satisfaction of the retired
petty shopkeeper.
The young man looked at these details with an expression of pleasure
that seemed to have something rather sad in it; his eyes roved from
the kitchen to the roof, with a motion that showed a deliberate
purpose.
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