When you speak loudly your words have a weird sepulchral tone
that echoes far and near through the spacious halls and avenues
that makes the black pall of mystery all the more uncanny. As
you first enter on your journey on this stream of inky blackness
you are appalled by the awful darkness, and the stillness so
intense is like that of some vast primeval forest at midnight.
The ceiling is so low at one place you can touch it with your
hands. With rock above and on both sides of you and water
beneath, you think you have a faint conception of Hades. You
hear no sound but the gentle splash of the water struck by the
oars, or the labored and rapid breathing of the more timid ones
of your party.
Suddenly your boat stops and the guide utters a few tones
beginning low in the scale and running higher, when, lo! the
whole subterranean cavern seems filled with fairy tongues and
becomes melodious with softer, sweeter tones until they die away
among those avenues, like the music heard only in the realm of
dreams. Some one suggests that a song be sung, whereupon an
Irishman with deep sonorous voice starts, "Nearer, My God, to
Thee," but he only sings but one line, for the clamor of voices
insisting on another selection, is like that of a flock of crows
in autumn who have discovered an owl. The multitudinous echoes,
if not as musical as the voice of the guide, made more obvious
harmony.
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