To give full play to
his bland clashings with Authority he needs to have authority to clash
with, and there is none more absolute than that of the masters at an
English school.
Psmith has the distinction of being the only one of my numerous
characters to be drawn from a living model. A cousin of mine was at Eton
with the son of D'Oyly Carte, the man who produced the Gilbert and
Sullivan operettas, and one night he told me about this peculiar
schoolboy who dressed fastidiously and wore a monocle and who, when one
of the masters inquired after his health, replied "Sir, I grow thinnah
and thinnah." It was all the information I required in order to start
building him in a star part.
If anyone is curious as to what became of Mike and Psmith in later life,
I can supply the facts. Mike, always devoted to country life, ran a
prosperous farm. Psmith, inevitably perhaps, became an equally
prosperous counselor at the bar like Perry Mason, specializing, like
Perry, in appearing for the defense.
I must apologize, as I did in the preface to _Mike at Wrykyn,_ for all
the cricket in this book. It was unavoidable. There is, however, not
quite so much of it this time.
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