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White, Fred M. (Frederick Merrick), 1859-

"The Crimson Blind"


But, if we are going to make a search of the premises, the sooner we
start the better."
Upstairs there was nothing beyond certain lumber. There were dust and
dirt everywhere, save in the hall and front dining-room, which, as
Bell sapiently pointed out, had obviously been cleared to make ready
for Steel's strange reception. Down in the housekeeper's room was a
large collection of dusty furniture, and a number of pictures and
engravings piled with their faces to the wall. Bell began idly to turn
the latter over.
"I am a maniac on the subject of old prints," he explained. "I never see
a pile without a wild longing to examine them. And, by Jove, there are
some good things here. Unless I am greatly mistaken--here, Steel, pull up
the blinds! Good heavens, is it possible?"
"Found a Sistine Madonna or a stray Angelo?" David asked. "Or a ghost?
What _is_ the matter? Is it another phase of the mystery?"
"The Rembrandt," Bell gasped. "Look at it, man!"
Steel bent eagerly over the engraving. An old print, an old piece of
china, an antique jewel, always exercised a charm over the novelist. He
had an unerring eye for that kind of thing.


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