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White, Fred M. (Frederick Merrick), 1859-

"The Crimson Blind"

Gilead Gates had alluded to
Reginald Henson as his right-hand man.
He crept along to the study, where the lamps were lighted and the silver
claret-jug set out. He carefully dusted a big arm-chair and began to
smoke, having first carefully extinguished the lamps and seen that the
window leading to the garden was wide open. Henson was watching for
something. In his feline nature he had the full gift of feline patience.
To serve his own ends he would have sat there watching all night if
necessary. He heard an occasional whimper, a howl from one of the dogs;
he heard Enid's voice singing in the drawing-room. The rest of the house
was quite funereal enough for him.
In the midst of the drawing-room Margaret Henson sat still as a statue.
The distant, weary expression never left her eyes for a moment. As the
stable clock, the only one going on the premises, struck ten, Enid
crossed over from the piano to her aunt's side. There was an eager look
on her face, her eyes were gleaming like frosty stars.
"Aunt," she whispered; "dear, I have had a message!"
"Message of woe and desolation," Margaret Henson cried.


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