There is a broad
green gate of the Southern Italian type, closed. A white-columned
pergola runs obliquely down from the wall on the right. The top of the
pergola is an awning formed by a skeleton of green-painted wooden strips
thickly covered by entwining lemon branches bearing ripening lemons.
Between the columns of the pergola are glimpses of a formal Italian
garden: flowers, hedges, and a broad flat marble vase on a slender
pedestal, etc. On the left a two-story wing of the hotel meets the wall
at the back and runs square across to the left; a lemon grove lies to
the left also. The wall of the hotel facing the audience shows open
double doors, with windows up-stairs and below, all with lowered
awnings. There is a marble bench at the left among shrubberies; an open
touring-car upon the right under the awning formed by the overhang of
the pergola; a bag of tools, open, on the stage near by, the floor
boards of the car removed, the apron lifted.
As the curtain rises, PIKE, in his shirt-sleeves, his hands dirty, and
wearing a workman's long blouse buttoned at neck, is bending over the
engine, working and singing, at intervals whistling "The Blue and the
Gray." His hat, duster, and cuffs are on the rear seat of the tonneau.
[Enter HORACE from the garden. He is flushed and angry; controls himself
with an effort, trying to speak politely.
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