Physically there are three distinct parts to the Exposition: the main
group of exhibit palaces, the Zone, and the state and foreign buildings.
The art-lover will be concerned almost entirely with the first of these;
for artistically the Zone expresses anarchy, and the state and foreign
pavilions are given over almost entirely to social and commercial
interests.
Architecture
The architecture of the central group of palaces and courts is a notable
departure from that of most of the expositions of the past. There are
none of the over decorated facades, none of the bizarre experiments in
radical styles, and little of the riot of extraneous ornament, that have
been characteristic of typical "exposition architecture." The whole
spirit here is one of seriousness, of dignity, of permanency. The
effects are obtained by the use of long unbroken lines, blank wall
spaces, perfect proportioning, and a restrained hand in decoration.
Color alone is relied upon to add the spirit of gayety without which the
architecture might be too somber for its joyous purpose.
The ground plan is remarkable for its perfect symmetry. On the main east
and west axis are grouped eight palaces, about three interior courts. At
the east end the axis is terminated by the Palace of Machinery, which
cuts off the main group from the Zone.
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