By far the wealthiest miner in Alaska, he wanted
to be still wealthier. It was a big game he was playing in, and
he liked it better than any other game. In a way, the part he
played was creative. He was doing something. And at no time,
striking another chord of his nature, could he take the joy in a
million-dollar Eldorado dump that was at all equivalent to the
joy he took in watching his two sawmills working and the big down
river log-rafts swinging into the bank in the big eddy just above
Moosehide Mountain. Gold, even on the scales, was, after all, an
abstraction. It represented things and the power to do. But the
sawmills were the things themselves, concrete and tangible, and
they were things that were a means to the doing of more things.
They were dreams come true, hard and indubitable realizations of
fairy gossamers.
With the summer rush from the Outside came special correspondents
for the big newspapers and magazines, and one and all, using
unlimited space, they wrote Daylight up; so that, so far as the
world was concerned, Daylight loomed the largest figure in
Alaska. Of course, after several months, the world became
interested in the Spanish War, and forgot all about him; but in
the Klondike itself Daylight still remained the most prominent
figure.
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