To him it was the proper way for a man to express himself
socially. He knew no other way.
He was a striking figure of a man, despite his garb being similar
to that of all the men in the Tivoli. Soft-tanned moccasins of
moose-hide, beaded in Indian designs, covered his feet. His
trousers were ordinary overalls, his coat was made from a
blanket. Long-gauntleted leather mittens, lined with wool, hung
by his side. They were connected in the Yukon fashion, by a
leather thong passed around the neck and across the shoulders.
On his head was a fur cap, the ear-flaps raised and the
tying-cords dangling. His face, lean and slightly long, with the
suggestion of hollows under the cheek-bones, seemed almost
Indian. The burnt skin and keen dark eyes contributed to this
effect, though the bronze of the skin and the eyes themselves
were essentially those of a white man. He looked older than
thirty, and yet, smooth-shaven and without wrinkles, he was
almost boyish. This impression of age was based on no tangible
evidence. It came from the abstracter facts of the man, from
what he had endured and survived, which was far beyond that of
ordinary men. He had lived life naked and tensely, and something
of all this smouldered in his eyes, vibrated in his voice, and
seemed forever a-whisper on his lips.
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