' 'If,' he continues, 'the poetry of Milton be
examined with regard to the pauses and flow of his verses into each
other, it will appear that he has performed all that our language would
admit.' Cowper was so indignant at Johnson's criticism of Milton's blank
verse that he wrote:--'Oh! I could thresh his old jacket till I made his
pension jingle in his pocket.' Southey's _Cowper_, iii. 315.
[156] One of the most natural instances of the effect of blank verse
occurred to the late Earl of Hopeton. His Lordship observed one of his
shepherds poring in the fields upon Milton's _Paradise Lost_; and having
asked him what book it was, the man answered, 'An't please your
Lordship, this is a very odd sort of an authour: he would fain rhyme,
but cannot get at it.' BOSWELL. 'The variety of pauses, so much boasted
by the lovers of blank verse, changes the measures of an English poet to
the periods of a declaimer; and there are only a few skilful and happy
readers of Milton, who enable their audience to perceive where the lines
end or begin. "Blank verse," said an ingenious critick, "seems to be
verse only to the eye.
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