They were fixed steadily upon the ruby light that shone in the
wine in front of him.
The silence lengthened and became oppressive. Sir Beverley still watched
Piers' intent face. His lips moved soundlessly, while behind his silence
the storm of his wrath gathered.
What did the boy mean by treating him like this? Did he think he would
endure to be set aside thus deliberately as one whose words had no
weight? Did he think--confound him!--did he think that he had reached
his dotage?
A sudden oath escaped him; he banged a furious fist upon the table. He
would make himself heard at least.
In the same instant quite unexpectedly Piers leaped to his feet with
uplifted hand. "What's that?"
"What do you mean?" thundered Sir Beverley.
Piers' hand descended, gripping his arm. "That, sir, that! Don't
you hear?"
Voice and gesture compelled. Sir Beverley stopped dead, arrested in full
career by his grandson's insistence, and listened with pent breath, as
Piers was listening.
For a moment or two he heard nothing, then, close outside the window,
there arose the sound of children's voices. They were singing a hymn, but
not in the customary untuneful yell of the village school. The voices
were clear and sweet and true, and the words came distinct and pure to
the two men standing at the table.
"He comes, the prisoners to release
In Satan's bondage held,
The gates of brass before Him burst,
The iron fetters yield.
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